![]() Prior to joining TriWest, Katie has had experience. FESTA DI SANTA ROSALIA (August 18 August 28, 2022) Brooklyn: The Discretion of NYPD. Click here to subscribe.For further information about anti-discrimination laws and regulations, or to file a complaint of discrimination with the Office for Civil Rights in the U.S. 21 issue of The Hollywood Reporter magazine. “But what’s amazing about Shonda in the streaming era is that it’s ramped up in a way, but it’s still the Shondaland special sauce, which is character, character, character, relationship, relationship, relationship, and that page-turny, you can’t devour it fast enough, all of a sudden you’re crying and you don’t know why.”Ī version of this story first appeared in the Oct. “I was like, ‘Oh man, are my clothes going to be off?’ Because the joke at ABC is as soon as you thrust, it’s like ‘Cut!’ and I’ve always been like, ‘Oh, thank God,'” says Lowes of the move, with Rhimes, from network to streaming. The cast, recently back in production in New York, will be filled out by familiar faces including Laverne Cox, Anders Holm and Scandal’s Jeff Perry and Katie Lowes. The series, based on Jessica Pressler’s 2018 New York magazine story, stars Ozark Emmy winner Julia Garner as Anna and Veep‘s Anna Chlumsky as a dramatized version of Pressler. In the meantime, Rhimes is still writing and rewriting the end to Inventing Anna, her highly anticipated Netflix miniseries about the infamous Anna Sorokin (alias Anna Delvey), who conned her way through the New York society scene. “If it’s going to be done, it has to be done exactly right.” And like Sarandos, ABC Entertainment chairman Dana Walden heaps praise on the prolific producer: “ has a spectacular eye for talent,” says Walden, “and her shows are sexy, compelling and addictive.” Already, there are rumblings of another potential Grey’s Anatomy spinoff, though Rhimes is coy, acknowledging only that there’s often interest in doing more, but it requires her permission and she’s rarely willing to grant it. ![]() And given Rhimes’ insistence on inclusive casting and timely tales, Chris Van Dusen, whom she tapped to run the series, jokes that it’s “not your grandmother’s period show.” Two other projects on Shondaland’s initial development slate, Pico & Sepulveda and Sunshine Scouts, are, per Rhimes, no longer moving forward.Īt the same time, the nine-figure face of Netflix continues to deliver for ABC, too, with flagship Grey’s Anatomy - run day-to-day by Krista Vernoff - still a top performer heading into its 17th season. Proof: Rhimes’ first series swing, Bridgerton, is based on a series of Regency period romance novels that tout a fervid international fanbase. He praised her, too, for having global instincts - or at least a desire to make programming for Netflix’s global audience. “Can you imagine an audience getting to decide, like, what guy she texts or if she walks away?” says Rhimes, who’s excited to experiment in the space. She wanted to know exactly how it was done and if she could do something similar with one of her juicy relationship dramas. In fact, Rhimes’ call was the first he received after releasing the interactive Black Mirror episode in late 2018. Maybe not, but thus far Netflix co-CEO Ted Sarandos has been impressed by her eagerness to understand what works on his service and why.
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